Esse-a-Go-Go: The Post Office Story

When I buy stamps, I always ask for “the writer stamps.” It’s usually a pretty simple request. I ask for the writer stamp du jour, the clerk provides it, I buy it, the end.

On a recent trip to the main office of the U.S. Postal Service here in my hometown, I encountered something different. I’m still not sure what it was, but this is what happened.

The waiting line was long, long enough to engender awkward silences between me and the people standing next to me. We’d start some small talk with the assumption that we wouldn’t be standing there long, and then five minutes later when we were still standing there it was uncomfortable. Every incremental push forward in our line was one breath closer to social relief.

At the window, I made my standard request for the writer stamps. The clerk looked in the drawer and shrugged, “I don’t see any.”

“That’s OK,” I said, wary of upsetting the waiters behind me. “I’ll just take…..”

“Let me go look in the back,” he said.

Well, that’s right nice of you. Hurry back.

Except he didn’t hurry back. He was gone a long time. The people behind me starting pawing the earth. I glanced back repeatedly, smiling weakly and suggesting that I had no idea what the clerk was doing or why.

When he finally reappeared, he had stamps in hand but they were clutched to his chest so I couldn’t see what the images were.  He looked and me and said, “OK, I found some stamps. We do have some.”

What’s the drama?

“First, I want to show you these,” he said. “These are so beautiful and they are some of my personal favorites.”

He showed me a very pretty stamp from the American Treasures series. It was an Edward Hopper painting of a sail boat.

“Now I also have these,” he said.  He revealed the second stamp, a Black Heritage series stamp of John H. Johnson (1918-2005).  I realized to my dismay that the clerk was afraid.

He was afraid to show me a stamp of a black man.

What did he think, that when I said writer I really meant sailboat? That I don’t think African-Americans are writers? That girls only like purty things with pastels and sunshine? That I would call his supervisor for daring to try to sell me a Black Heritage stamp when I’m white and I said I wanted a writer stamp so surely I must have meant a white writer?

The truly strange thing is that to this day as I write this, I’m still not angry with this clerk. He went out of his way to help me. He did what I asked him to do. What stays with me is that he assumed I didn’t want this stamp.  What he did was make me want this stamp even more, and make me want you to want it, too.

Forever stamps are always equal in value to the current First-Class Mail one-ounce rate.

This man was incredible, and I never knew his name before my Post Office story. Thank you, strange clerk. You helped me more than you know.

John Johnson. Forever.

(Right about now, I wonder what’s happening at Karan-a-Go-Go…….)

In 2012, the Postal Service® is pleased to honor John H. Johnson, the trailblazing publisher of Ebony, Jet, and other magazines. Johnson overcame poverty and racism to build a business empire embracing magazines, radio stations, cosmetics, and more. His magazines portrayed black people positively at a time when such representation was rare, and played an important role in the civil rights movement.

His unwillingness to accept defeat was a key to Johnson’s success. When he was unable to buy a lot in downtown Chicago because of his skin color, he hired a white lawyer who bought the land in trust. Thus, Johnson became the first black person to build a major building in Chicago’s Loop, where Johnson Publishing still has its headquarters.

As Johnson’s influence, accomplishments, and fortune grew, he received many prizes and honors. He joined Vice President Richard Nixon on a goodwill tour of Africa and served as a Special United States Ambassador for Presidents Kennedy and Johnson. The National Association for the Advancement of Colored People (NAACP) awarded him its prestigious Spingarn Medal in 1966. Six years later, in 1972, his industry peers named him publisher of the year — a prize Johnson compared to winning an Oscar. In presenting Johnson with the Presidential Medal of Freedom in 1996, President Bill Clinton lauded him for giving hope to African-Americans during difficult times. A panel of experts polled by Baylor University in 2003 named Johnson “the greatest minority entrepreneur in American history.” That same year, Howard University named its journalism school after him.

The John H. Johnson (Forever®) stamp, designed by Postal Service art director Howard Paine, features a color photograph of Johnson taken by Bachrach Studios. The photographer was David McCann.

The U.S. Postal Service has recognized the achievements of prominent African-Americans through the Black Heritage series since 1978. This stamp honoring Johnson is the 35th stamp in that series, which highlights outstanding individuals who helped shape American culture.

The stamp is being issued as a Forever stamp. Forever stamps are always equal in value to the current First-Class Mail one-ounce rate.

Waking Up with a Stranger

John Henry Fuseli The Nightmare

Immediate disclaimer:  I’ve never literally woken up with a stranger.  Not my style.

But I am pretty sure I know what it would feel like, which again goes to why I’ve never allowed it to happen.  This week I had the bizarre feeling it had happened, but not in any way I saw coming.

Perusing a social media site, I found a comment by an acquaintance about the Occupy Wall Street protesters.  Her comment boiled down to, “Get a life, get a job, and stop irritating those of us who are trying to spend our hard-earned money on vacation.”  Discovering this comment was like opening a door into a lot of similar feelings expressed by people who I assume are decent human beings.  Some people who see the protesters this way are even my friends and family members.  It was like rolling over all warm and sleepy and realizing that head on the pillow was not any one I recognized.

This is bigger for me than individuals.  Everyone has a bad day, or says a dumb thing, or just needs to blow off steam sometimes.  If we all isolated ourselves from everyone who makes a frustrated comment we don’t agree with on Facebook or Twitter, we wouldn’t have much of a network.

The Stranger, it turns out, is the social mood, priorities, and values of my own country.

I have a three-year-old child, and am only just now emerging from what a friend calls, “The Baby Tunnel.”  The tunnel is  a place you enter about the time you realize you are pregnant, and you only go deeper, darker, and quieter for about 4 years after that.  Eventually, you see the light and begin to re-emerge, but the world and the people in it have changed while you were away.  I was born in 1968, and when I was in college I relentlessly quizzed my mother about Vietnam, JFK, Martin Luther King, Jr., and The Beatles.  “What was it like?  Did you love them?  Did you march?  Who said what?  Did you go?  Were you scared?”

For years her answer was the same:  “Sigh.  Honey, I don’t know.  You had just been born.  I wasn’t paying attention to anything else.”

How is this possible?

Well, now I know.  And a deep description of The Baby Tunnel is more the purview of a true mommy blogger, so I’ll not go there.  But it is a real place, The Tunnel, and it can distance you from important cultural shifts.

Somewhere in the past 4 years, we lost a core shared vision as a nation.  Clearly, the roots of the loss go back much further than 4 years, but my experience indicates that the cement on this really started hardening between 2007-2011.

There seems to be an honest-to-God belief system that having a job is a reflection of a moral or ethical state.  Being employed is now a character trait.  But it’s weirder than that, it’s not enough to be employed.  It’s not even enough to have more than one job.  If that job or jobs does not pay enough to feed your family, then YOU are a failure.  YOU are at fault.  And if you feel differently, then YOU do not have the right to express those thoughts and beliefs because, well, YOU are the problem.  The problem is not allowed to speak.

Get a life, get a job, get out of my way.

No one wants to be on the outside.  It’s cold out there, and the kids are hungry.  It is not a complicated mystery that more and more people are growing anxious about how close they are to the edge.

But what is mysterious to me is the glaring refusal to acknowledge that the crumbling social architecture is not the fault of those most at-risk.  The closest thing I can piece together as logic is that if you are a guilty party — if you are part of the industry or power structure that has benefited from that which has hurt so many — you are pretty anxious yourself.  I keep seeing the prison warden in The Shawshank Redemption when he reads his own cross-stitched wall hanging:  “His judgement cometh, and that right soon.”

Those on the edge want an assured place inside.  If you want to be inside, you listen to those who already are.  They are the ones who, allegedly, allow you to stay safe.  If you are guilty, you want as many on your side as you can get.  You tell those who are trying to stay inside that those outside are wrong, evil, The Problem.  Don’t listen to those people, they just want to drag you down.  We want to keep you safe.  THEY are why everything is a mess.

I don’t feel good about waking up with whoever this is.  He needs to get his pants on and get the hell out of my house.  No pancakes, no coffee, no early movie.  Get gone.

Now, those faces in Occupy, for better or worse, they are familiar.  You folks, come on in.  I’ve got a pull out couch.