When the Cavalry Doesn’t Come

Five years ago this week, as I watched Michael Brown stand shiny and clean on camera and receive one of the worst alleged atta-boys of all time, I knew in my gut he was being set up.

Life in the reality canyon.

I remember the physical discomfort between “Brownie” and the President.  I remember the way those words, “Brownie, you’re doing a heck of a job” came out of the mouth of the FEMA chief’s ultimate boss and the look on Brown’s face.  You can see in that instant he knows a hell of a lot more than he can share. It was painful.  The words were condescending, and artificial and inappropriate and awful on every level; and they highlighted a yawning reality canyon between those two men as well as between the federal government and the states.

Much has been written and expressed in other — often artistic — forms about how the nightmare of Hurricane Katrina removed any mask we might be wanting to put on our fundamental lack of progress around racial disparities.  I can’t disagree.  The literal black and white disgrace that was FEMA’s total disconnect with the very kind of situation it exists to manage is burned on our nation’s history.  No one can say the authorities on every level “didn’t know” it was going to be a disaster.  Extensive records exist that verify the proper people knew exactly what was poised to go down.

I still have no accounting for what exactly fell apart.  Michael Brown’s continued efforts to explain it only seem to make things worse by ripping off what frail bandage we had on the memories and yet leaving no more healing in its place.

Mike Hale of the New York Times said it well when he described Spike Lee’s portrayal of the aftermath (emphasis added is mine):

Released just a year after Hurricane Katrina swamped New Orleans, “When the Levees Broke: A Requiem in Four Acts” was a thrilling achievement: both intimate and magisterial, angry and eloquent, an indictment and a testament, it represented a high point in the career of its director, Spike Lee.

It was definitively racial.  But as a West Virginian, I saw more.  I do believe it was racial in New Orleans, but I feel some of the same kinds of nausea at home, where the U.S. Census measures our population at over 94% white.  I think the most powerful common denominator is a profound disregard for human life when that life is uneducated and living in poverty.

I want to believe that if some natural disaster befell West Virginia, that the cavalry would come.  That the nation would turn on the television and see our plight and send every resource to save us.  What I saw 5 years ago in New Orleans scared the hell out of me, because I no longer have that belief.  I think some populations are considered disposable and not worth the effort and expense, and as much as I don’t want to believe it, Katrina took away my suspension of disbelief.

The Sago mine disaster was a perversion of this grinding fear.  Every day in West Virginia (and around the world) human beings go deep underground and risk their health and their lives so I can use my laptop (see The Short Ladders for some stats on our state’s educational attainment, or lack thereof).  There is a lot of drama around rescues once people are in trouble, but very little evidence that the nation is serious about reducing dependence on coal or that most coal companies themselves see these human beings as something more than replaceable commodities.

I’ll conclude where I began, with the “heck of a job” video clip and Michael Brown.  I don’t know anything about Mr. Brown.  He may be a negligent incompetent monster, but that seems less likely than he was one man at the helm of a critically important federal agency that the powers that be had no real interest in leveraging during Katrina. 

The question remains why, and if it would have been the same story in the Hamptons.

The Crucible: Our national play

Most people are aware that “polls” show a truly bizarre number of Americans question whether or not the President of the United States is a citizen of the country he leads.  I don’t want to get into the specifics of this current climate of suspicion, i.e. from the partisan angle, but I do have another interest.  After reading this Timothy Egan column yesterday, I was left with a question he doesn’t address. 

Just a little bit of history repeating....

 Why do we do this all the time? 

Let’s start with the fact that our county is not very old.  By global standards we are still in utero.  So we don’t really have the track record as a society and as a people from a national perspective that some countries do; but what we have suggests to me that we are pretty freaky-deaky, haunted-house-lovin’, “what was that sound” kind of scaredy cats on a cyclical basis. 

Allow me to elaborate. 

Arthur Miller’s seminal play, The Crucible, is still studied in American high schools but apparently is not being particularly well taught.  If it were, one has to wonder if we seriously would be seeing columns like Egan’s.  Consider: 

The Crucible is a dramatization of the Salem witchcraft trials that took place during 1692 and 1693. Miller wrote the play as an allegory to McCarthyism, when the US government blacklisted accused communists.  Today it is studied in high schools and universities, because of its status as a revolutionary work of theater and for its allegorical relationship to testimony given before the House committee on Un-American Activities.  (EDG note: McCarthy’s activities are often confused with this House Commitee.  The McCarthy era and this House Commitee are two distinct historical references with related themes.  See links below.) 

I remember the way the hair on my body stood up when I learned about the House Committee on Un-American Activities.  About who Joe McCarthy was and what happened in the United States only the decade before I was born.  I could hardly believe it was real, but today as I live my adult life in 2010 I realize the next generation is going to have the same experience with what is happening right now

Perhaps the generations just after the Salem witch trials got cold chills, too.  It appears, however, that our goose bumps don’t last long.  We are very good at refusing to see ourselves doing the same thing over and over again, and of turning away from the obvious.  

When we get threatened, we freak out.  Full-on, outta your mind, freak out. 

As a people, it seems we are perfectly willing to take the very slim chance that we are right in our suspicions, and to risk a phenomenal amount of character “capital” in the process. 

In Salem, it was a similar gig.  Throw a suspected witch in the lake.  If she drowns, she wasn’t a witch.  If she floats, she’s a witch.  Burn her. 

In the play, the character John Proctor is pressed to death.   This was the process of placing giant slabs of rock on top of a human being to try to force confession and/or to kill the person.  When asked if the allegations against him are true, Proctor says only two words:  “More weight.” 

This is not a partisan issue.  It can’t be.  This is an American issue.  We must turn the page on this crazy behavior and call it out wherever it crops up.  We know we’re prone to it.  We have some nasty tendencies, that is obvious.  But we are also young, and we have time to grow up into a nation better than this. 

No more weight.