Hippies and Filipinos – A Spencer, West Virginia, Childhood in the 1970s

Esse Diem is privileged to share a reflection by Amy Hamric Weintraub as part of the Essays on a West Virginia Childhood project.

A very young Miss Hamric

Amy is one of the most intense and effective community leaders I have ever known.  I have seen her go to the mat for reproductive rights, fair housing, jobs, civil rights, religious freedom, and peace.  She is a devoted wife, mother, and friend, as well as an accomplished professional with a long history of executive leadership in key community nonprofit organizations.  Her essay about growing up in a family with a long West Virginia heritage, while playing and learning among “children of hippie farmers and Filipino doctors,” just charms me.  I am delighted but not at all surprised by her focus on her early experiences with diversity, as those times have clearly helped make her the woman she is today.

Hippies and Filipinos – A Spencer, West Virginia, Childhood in the 1970s

Amy with friends Kelli and Hilary

I was born in Spencer, West Virginia, in 1968; in that year, the town was home to generations of born and bred West Virginians.  Though a few, like my mother (an Oklahoman) had “married in,” most could count their Mountain State ancestry back multiple generations — indeed prior to the Civil War.  Like small towns across America, however, things were a-changin’.

In metropolitan centers in the Northeast, malcontent young people turned away from the professional tracks their parents had planned for them, seeking social change, for their own social order.  Evoking the pioneer spirit of the early 20th century, these adventurers rejected conventional life for something new, land-based, and communal.  Arriving in my rural county in their “wagon trains” of Volkswagens vans, these young urbanites pooled their money to buy or rent farms, taking advantage of the low demand for rural West Virginia property in the early 1970s.  They proceeded to raise crops and animals, make art and love, and in some cases have children.  The locals dubbed them “hippies” — or in polite company, “back-to-landers”.

In this decade, Spencer opened a community hospital and began recruiting medical doctors.  The first doctors to sign contracts at Roane General were finishing their residencies in New York City hospitals — and all hailed from the Philippines.  They landed in Spencer in waves complete with their warm chocolate skin, foreign accents, and in most cases, complete families with children.

Student Council president Edgar, a Filipino American, leads a meeting at Spencer High School

By the time I started school, my first grade class contained the expected number of “Roane known” names such as Greathouse, Nichols, Casto and Miller.  But one also found Arabia, Fitzpatrick, and Kershner along with Gamponia, Ambrosio, and Lo.

As I reflect on the many ways the presence of these dear souls enriched my life, I return to my own childhood in a vivid wash of memories. 

I see the dust float through the air as I move my tiny feet from first position to second position in ballet class, taught by one long-haired willowy waif, provocatively named Kis Scary, origins unknown (but she was with us for a year!).  I see the bills fly from Dr. Ambrosio’s generous hands as he lets every child at the Black Walnut Festival carnival have a go at the nearly impossible-to-win arcade games.

I feel the relief of my 6-year-old self as dear Dr. Erlinda, originally of Manila, asks all the right, sensitive questions to diagnose my stomach ulcer and gently explains how I can get well.  I feel my lips curl awkwardly as I try to speak the French words taught to a group of us 8-year-olds at the county library by Preston Clark, formerly of Massachusetts.  I feel new passions awaken as I read an issue of Ms. Magazine, found after being set aside unread somewhere in my house by my schoolteacher mother, who had received it from Kaya’s mom — a well-meaning hippie feminist mama.

Cecelia, a Filipino American and one of Amy's nearest and dearest at a traditional WV potluck party

I smell the nutty, pungent scent of soybeans as they transform to chunky blocks of tofu at “The Soy Dairy” and smell the fresh, musky scent of herbs and wafting out the open doorway of “The Growing Tree” food co-op.  I smell — oh, how I smell!– the gingery, garlicky deliciousness of “Oriental Steak,” created by Remi Lo – a recipe that forever changed the supper repertoire of housewives throughout Roane County.  I taste the savory, aromatic pleasures of my first real Italian meatball and drink my first sip of red wine at the Arabia family (formerly of Scarsdale, New York) farmhouse. 

I hear the clickety-clackety-clack of the Filipino Mah Jong tiles at Cecilia Ambrosio’s house as we race through the family room, occupied by her parents and grandparents, en route to the kitchen for rice cracker snacks.  I hear stories of Cecilia’s and Rick’s trips to the Philippines and wanderlust fills my heart. 

Oh, the impact these folks had on our community!  Even those who were there a short while brought an expanded world view, varied interests and culture, and a zest for life. 

Sadly, many Spencer back-to-landers were not prepared for the realities of a rural life and returned to city living after a relatively short time, mainly due to relationship problems and/or the financial strains involved with making a living from family farms of modest scale.

A "typical collection" of Amy's BFFs (l to r: Rick, Greg, Hilary and Donovan)

Thankfully, most of my favorites stayed; today the hippies you will meet on Spencer streets are integrated fully into their adopted hometown.  They coupled with life partners who had a comparable level of commitment. They made permanent homes that were comfortable and practical.  They became realistic about their financial needs and found sources of income beyond their farms. Some had flexible occupations, like writing and other creative work, or a trade. Most found steady jobs in the town of Spencer or they commuted to Charleston.  They became school teachers and community arts council members and carpenters and business owners.  Their children filled school art shows and plays and sports teams, and they were raised with us as rural West Virginians.

Amy's best friend, Debbie, who became a bridesmaid at Amy's wedding years after growing up together.

Following a parallel track, the Spencer Filipino families rode a wave of migration via the Immigration and Nationality Act of 1965; the Act allowed for “occupational” migration in response to the need for more American professionals, specifically in the medical field. Thousands of Filipino professionals, mostly doctors and nurses, arrived in the U.S. as complete families, with dozens eventually coming to the town of Spencer.

Spencer Filipinos integrated completely and quickly into West Virginia life.  As our physicians, the parents offered enormous value as a talented and caring community-based medical team.  These doctors and their spouses became leaders in local churches and civic organizations.  They worked tirelessly to build our town’s health-care infrastructure and provided much-needed public health education and information.  Their children filled our school honor rolls and 4-H clubs and homecoming courts as they were raised with us as West Virginia sisters and brothers.

I think often of the ways these childhood friends and their parents influenced the way I see the world and the way I choose to make my way through it.  They helped build my confidence to search out new, sometimes distant places, and to find a way to feel at home anywhere.  They helped form my early love for good food and drink, my love of the sound of different accents, and my constant striving to look beyond skin color or family origin to find the abiding dignity within each soul I meet.   They helped forge my interest in service to community and neighbors and a willingness to take on challenges and risks.

A freezing camping trip to Spruce Knob can't hide the warmth between these friends! (Front row: Ben, Amy and Hilary; Back row: Eric, Kelli, Greg, and Rick)

As we grew up and graduated from dear old Spencer High School (may it rest in peace), these childhood friends and I dispersed around the state and country.  But all of us — the local yokels, the mud-covered hippie children, and those exotic Flips who are late to every meeting and event (running on Filipino time) — still keep in constant contact through the Internet, mail, phone calls, and regular in-person reunions.  We love to reflect on our charmed upbringing in the lovely town of Spencer and to look back on it with rose-colored glasses that we would prefer not to remove, thank you very much.

 And I give thanks on a regular basis that our parents – whether they came from afar or abided in the place of their Mountaineer ancestors – raised us right where they did.

 Debbie, Hilary, Cecilia, Ben, Rick, Donovan:  I adore you, as I always have.

Images credit: Amy Hamric Weintraub

STOMP! go the doors

I’d like to tell you I don’t know who this is, but I do! (circa 1985)

This essay is part of the Essays on a WV Childhood project.  Like any writer, I know that most of the best work is developed through several rounds of drafts and editing and more drafts.  Something about this subject matter, however, made me want to just write and not edit, to let the purity of an adolescent memory be uncontaminated by adult rules and regulations.  I hope you enjoy this reflection on one of the most important parts of my growing up, State 4-H Camp at Jackson’s Mill.  The pictures may be a little fuzzy, but the memories have a tight focus.

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I’m in a dance hall just outside Jackson’s Mill in Weston, West Virginia.  I remember just a few sights and sounds, but those recalled are so strong after all these years they appear in my mind as if they just walked in the door of my memory.

All of the tables and chairs are pushed against the walls or put away.  The space is filled with the throbbing life of young people in their late teens.  Boys and girls — or is it men and women? — vibrate with energy as they tap their feet and bounce up and down in anticipation of the most popular dance at camp.

It begins.

Kanawha County fellows danced to Morris Day and The Time

What’s funny is I don’t remember the song, or the tune.  I remember the Tyler boys, and Todd and Bryan and George.  I remember Lionel.  All but the younger Tyler boy had facial hair.  They wore cowboy boots and every girl in camp wanted to dance with them.

I remember the older Tyler boy was five years older than me.  I knew this because I first crushed on him when I was 15 years old, and he was…..twenty.  I knew he could never be interested in a little kid like me, but I would run the numbers in one year increments over and over again until I could imagine he might think I was a woman.  I figured I would have to be 19 and he would be 24 before there was even a prayer, but I had my “realistic” version too.  I would definitely have to be 21, and he would be 26.  That might work.  Only 6 years to go……

STOMP!

The music started.  How I wish I could remember the tune!  The guys picked partners and the couples swirled and kicked around the hardwoods, cowboy boots hitting the floor with such power and conviction it made me shake inside.  Our counselor chaperones just laughed and grinned as their wards thundered around the room.  They’d had their years of dancing in that room; it was now clearly their job to let us have fun but also to keep us from tearing down the building with our adolescent enthusiasm.

There was an older girl dancing with my Tyler boy.  I never knew how old she was.  I was convinced she had failed at least one grade.  She seemed very worn and tired, but she always chose very short skirts and purple high heeled shoes and tremendous amounts of pancake make up to cover the acne scars on her face.  Only now do I realize that she was very worn and tired, at less than 20 years old.  She and my older boy spent a lot of time together, but they never seemed close.  I suspected they had done things I could graph scientifically but lacked the poetry to describe in their entirety.

STOMP!

Sarah, Margaret, Kelley, me, Stacy

The couples turned to all face the same way.  Together in lines they lifted their feet and slammed the hard soles of their shoes into the floor…..ONE, TWO, ONE TWO THREE….kick!  They flowed seamlessly in their lines towards those of us who were not dancing.  They were like a wave you didn’t want to stop but weren’t sure what would happen when it reached your border.  Mercifully, they all knew how to put on the brakes before they ran over the wallflowers.

I never did this dance at camp.  It seemed like some kind of mysterious great rehearsal, and I desperately wanted to do it, but I knew I wasn’t ready.   Ready for what, I had no idea, but it just felt in my gut like a big step. My mother describes me as a kid who never wanted to been seen learning anything – I wanted to practice things that were important to me in private before anyone saw me trying them and making mistakes.  Obviously, this was a bit of a problem when it came to learning to dance with a partner.

There was a boy who crept increasingly closer to me over the week one summer.  First it was just, “Hi.”  Then, “Hi” followed by “What county are you from?”  By Wednesday it was , “Hi, Kanawha County!  Is this seat taken?”  I liked him.  He was handsome and nice and funny, but he made me nervous with his incremental growing closeness.

STOMP!

We were in the dance hall.  It was Friday night, the last night of camp.  The dance music started.  I saw my guy, Harrison County, walking towards me.  He reached out his hand.  I shook my head and shrank away, but I made sure to maintain eye contact and that he saw me smiling.

STOMP!

He smiled back and just stood where I was.  He didn’t ask another girl to dance, but sat that one out with me.  Something about that gesture lodged inside me, and I thankfully never once in the rest of my life so much as looked at any guy who didn’t have the “sit it out together” method down pat.

Jim Morrison said, “There are things known, and things unknown, and in between them are the doors.”

STOMP! is the sound of the doors of my memories at Jackson’s Mill.

Photo credits: Elizabeth Gaucher