This World Is Not My Home by Jeremy Paden (part 5)

V.

Many missionaries deal with culture shock by pining for the golden land of the mother country, dreaming of a place that no longer exists. It is a potent mix of nostalgia and present discontent. Back home everyone’s always on time. The lights never go out.  The water’s always potable and cold, straight from the faucet. The roads. The police. The cellophaned meats. Back home it’s not rice and beans every meal. Everything’s better and all the food you ever loved as a child is there.

True and real civilization.

When we lived in Nicaragua one of my Dad’s best friends was a salesman. I don’t remember if he sold meat before the ‘79 Revolution or if “the government” decided that his product would be meat. Because he refused to pledge allegiance to anything but Christ, he got poorer and poorer product. We hated his hot dogs. They tasted like rancid fat and sand. Dad, though, would buy them. We would spit them out.

He took us once for supper to The Purple Cow, a diner with coke floats and hot dogs. We were certain it wouldn’t have those nasty red sticks Omar peddled. This was a fancy place. We drank our floats and fidgeted about the booth, talking of nothing but hot dogs. They came. We sniffed. We whined, “Omar.” Eventually, Omar was given only bones to sell. Soon after we left Nicaragua, he found his way to Mexico, crossed the border into the U.S., and worked to bring his family north. Sometime in the mid “80s he was granted amnesty and residency.

Parental memories form so much of a missionary child’s sense of home. This inheritance of myth and nostalgia mixed with growing up in another country explains the dislocation of so many missionary children.

If Dad longed for anything, though, it was Italy. He didn’t share much with us, however. His mother died of cancer while he was in college. Childhood memories were hard. And, though his dad remarried, his mother wasn’t there to pass-on family history, to tell us stories of his childhood. When the family gathered, however, siblings would reminisce. Most had to do with “the family mission,” like how he, his siblings, and his cousins torched a roadside shrine in some northern Italian village, thinking they were advancing the cause of Christ.

Mom hardly ever spoke of her childhood. In part, I suspect this is because she too grew up out of place. Her mother, a Puerto Rican war bride, desperately tried and quite succeeded in raising her two children as anything but Puerto Rican. Dark-eyed, olive-skinned, and black-haired in Texas, she was terrified they might be taken as Mexican. Mom did tell us, though, that her own father had her trained to come on a whistle. And, once my wife and I had kids, she told me she was quite headstrong until three, when her father finally “beat it out of her.” At times I’ve wondered if this is why she doesn’t speak of her childhood. Then again, I’ve never asked.

As children we were not fed a diet of Halcyon days in the U.S.A. Our parents spoke of college in Texas and California and those first years of marriage in Italy. We, too, worked hard to keep our scraps of memory: prancing about a Milan apartment with underwear in our butt-cracks pretending we were Sumo wrestlers while Dad studied, the time it snowed and he made a sled out of cardboard and plastic trash bags and pulled us all the way home from preschool, walking down a street in Milan with Mom on a winter day looking for a lost car that had fallen through a hole in her coat pocket, a woolen rust and brown and beige plaid coat.

Furthermore, Mom had learned to cook in Italy. Home food was always homemade Italian. Also, she dutifully learned a repertoire of national dishes wherever we went. Thus, in Nicaragua our fare was Italian and Nicaraguan; in Costa Rica, Italian, Nicaraguan, and Costa Rican; in the Dominican Republic. Neither our food memories nor our deep family memories ever linked back to the U.S., unless it was a family reunion.

In which case, we were singing about heaven.

I’m around two and we are visiting London, it seems. I’ve always thought this was in Italy. But, the sign on the tower says, Bloody Tower.

Essays on Childhood: Pick a Little Talk a Little by Susan Byrum Rountree

Susan Byrum Rountree has been telling stories ever since she understood the power of the Show & Tell stool in kindergarten. Words have always held a sense of magic for her, and she parlayed that magic into a 35-year career of bending them this way and that. She is the author of Nags Headers, a regional history set on North Carolina’s Outer Banks, and In Mother Words, a collection of essays about family life. Born and raised in Scotland Neck, N.C., a tiny town in the Tar Heel State’s northeastern corner, she studied journalism at UNC Chapel Hill. She is now Director of Communications for St. Michael’s Episcopal Church, in Raleigh. The mother of two grown children and two very precocious granddogs, she has written for a number of national and regional newspapers and magazines. These days she blogs about the magic of daily life on her blog, Write Much.

Pick a Little Talk a Little | by Susan Byrum Rountree

My father was an amateur magician. With a sleight of hand, he used to pull coins from the ears of grandchildren, use his nimble fingers to shuffle a deck of cards into a magic trick. He could separate inseparable rings.

He was a busy man when I was growing up. One of only three doctors in my hometown, he was up and out early, and though he most always was home for supper, often in the middle of it, the phone would ring, or people would show up at the back door, and he was gone again. My mother, brother, sister and I shared him all those years, waiting at home as he delivered babies (12 in 24 hours once), treated hearts — both broken and diseased — mended bones and emotions, nurtured families as they took root, grew old, died.

Susan on her mother’s lap

I’m child #3, so my alone time with Daddy was limited when I was little. I remember him teaching me to bait a proper hook with a blood worm while the waves of the Atlantic lapped at my feet. A walk in the woods one day (with my brother and sister), I think because my brother was working on a merit badge. A day he came home from work to sew up a tiny injured rabbit my sister found in the yard. And a day he pitched the softball to me in the back yard so I wouldn’t embarrass myself during recess. (It didn’t work.)

But one of the many things Daddy shared with me in those times when he was home was a love for banjo music. We watched the Arthur Smith Show and Hee Haw and Porter Wagoner, Daddy tapping his size 13 wing tips against the ottoman as I clapped along.

Daddy loved Earl Scruggs. Somehow back then I felt like Earl and Lester Flatt were neighbors, they came so often into our family room. I’d watch as their fingers flew, coaxing sweet music out of those strings, and it was pure joy.

Daddy had a banjo, too, and every now and then he and I would sneak away into the living room while my siblings were bent over homework, and I would sit beside him on the dressed up sofa — my feet not yet touching the floor — and he would play for me. I’d watch as those same magical fingers that shuffled the cards and stitched up that rabbit plucked the stiff wire strings until Bill Bailey filled up the whole room. Joy again, to have Daddy all to myself, for him to be singing just to me.

My kindergarten class performed a play when I was five. It had something to do with Valentine’s Day, and I played the role of “a girl.” In the picture, I stand next to a boy wearing a cowboy hat and a sly grin as big as the waxing moon. I don’t remember a thing about the play except one of the boys played Pinocchio, and that I wore a pink dress my grandmother had made and white cotton gloves. I hated that I had to stand next to the boy with the grin, who sang the theme song to the “Beverly Hillbillies” because he told our teacher Earl Scruggs was his cousin.

Susan’s kindergarten class

When I learned that Earl, the sweet man who used to visit with us often and played his five-fingered magic had died, I remembered that boy, and my Daddy playing for me, and how much banjo music meant to me once upon a time.

Wouldn’t you know that the brother of that boy is a Facebook acquaintance? So the news hound in me couldn’t resist asking if the story was true.

Not true, exactly, he wrote to me. But his uncle played in a band with the father of Bluegrass when Earl and Lester Flatt performed live for the radio. And wouldn’t you know? He and his sly brother, along about the time of our kindergarten play, sometimes sat on the stage with Earl and Lester when they performed. If I imagined them as neighbors, to be sure to a five-year-old, sitting on stage with the performers meant you were kin.

I’ve thought a lot about my banjo memories since then and have even played a little Foggy Mountain Breakdown as I worked. Though I thought my father’s banjo long gone to history, come to find out that my brother has been keeping it safe for awhile, and two years ago gave it back to Daddy, all cleaned up and ready for picking again.

“Get him to play you a song,” my brother told me.

Well, I just believe I will.

What would this world be like, if every single one of us took the time to coax our gifts out and into the world —  like the unassuming Earl, or Daddy with his magic for healing, with medicine or music? Small gestures can become great magic, when shuffled with the right hands.

You can read more about the 2012 Essays on Childhood writers here.