The Brain Anchor by Valley Haggard

It’s not until I’m on 95, driving out to visit my dad, that I realize what to do with the fur hat tied by ropes to a cinder block in the trunk of my car, a “brain anchor” used as a prop by a friend in a surrealism creative writing class. My father not only introduced me to the world of surrealism when I was a child, he currently inhabits one of his own.

I’d called him the day before to ask his permission to write about him because, I tell him, there’s nothing else right now I can imagine writing about. Still, I feel like a vulture scavenging for blood. “Oh, of course you can,” he says, surprising me as he always does with his generosity. “I would be honored.” And then he suggests I write an even longer article for a national magazine, because people love to read about other people’s dying parents.

“But, Dad!” I say horrified. “You’re not dying!”

“I’ve had another home invasion,” he tells me. “It’s time to stop driving. I’m deteriorating, Valley,” he says.

“What kind of home invasion?” I ask, but I already know. After suffering a series of micro strokes two years ago he began to undergo a string of MRI’s and psychiatric evaluations which have turned up the words inconclusive, abnormal and dementia. 

Valley Haggard

Perhaps I’m biased, but I prefer my dad’s definition of his shifting mental state to anything I’ve found online. His first extended hallucination he described as a “cosmic, horrific supernatural freak show of southern holiness.” A tall man with lobster claws for hands and his very short 300 pound wife, who, together looked like a period and an exclamation point, were the leaders of the pack. “They were hungry and fat and wanted peanut butter sandwiches,” he told me. “I thought I was going to be killed, maybe eaten.” Between trying to beat them away with pillows and making them peanut butter sandwiches, my father called my stepmother and begged her to call the sheriff. She’d assured him it wasn’t real and asked him to hang on until she got home. “I know they’re hallucinations,” he tells me. “But the real question is, are they still there when I’m gone?”

When I sob to a friend on the phone, the gravity of the situation finally hitting home, she says, “It’s like watching a redwood fall in the forest.” And she’s right. My dad has always been fit and tall and handsome but I think it’s the largesse of his imagination she’s referring to. Growing up, he always kept an open house, an open mind and a tendency to regard the lines between reality, dreams, poetry, fiction and fact more like suggestions than absolutes. As a child, he opened up for me the world of story. Now, at 63, his mind is writing a whole new chapter.

The characters that populate his imagination visit his waking life as well. Civil War soldiers ride up to him on horse back; furry white animals streak the yard; pterodactyls soar through the house. But it’s the confusion, the memory loss and the fat illiterate family of rednecks, the home invaders, with whom he’s had to make his peace. “I’m much more welcoming to them now,” he tells me. “Which makes them go away faster. The lesson here is that no evil can stand up to humor!”

When I pull into my dad’s driveway he’s bright eyed, holding a riotous fistful of purple irises from his garden. I drive him around to do the things he can no longer do by himself and when we’re done, because I don’t know what else, other than my time, I can give him, I pull the brain anchor out of my trunk. “It’s perfect!” he says and shows me a sculpture in the front yard made of bits of metal and discarded scraps of wood. “I call it stacking,” he says. And he explains to me his new art form, one that takes on different shapes and unexpected dimensions, becoming more bizarre and more beautiful each day.

The executive director of Richmond Young Writers, Valley Haggard teaches creative nonfiction classes for adults at the Black Swan Bookstore, Chop Suey Books and the Visual Arts Center of Richmond. You can read more of her wonderful writing on her blog, www.valleyhaggard.com. This essay first appeared on her blog on May 31, 2012.

Fade to Black by Jennifer Waggener

She can’t remember the last time they met, though it was only three years ago this third of July, a hot, moonless summer night, when she’d spent the final moments holding his hand, alternately speaking to him in hushed tones and singing “Let Me Call You Sweetheart” ever so softly into his ear, her cheek meeting his where it lay on the stiff hospital pillow.

She can tell you how they met, in vivid technicolor detail; about the pouring rain that day some seventy years ago when her big brother brought him to the house, a drowned rat by all appearances. But even so, she couldn’t take her eyes off of his; they way they twinkled and danced! Just one look, and before she knew it she was following him down the yellow brick road of his dreams, into happily ever after.

She can’t remember the name of the nice lady who fed her lunch yesterday and breakfast this morning; the one who cajoles her into taking “just one more bite”; the one who brings the styrofoam cup of too sweet lemonade to her lips to wash it down; the one who is a mere child herself, but inevitably crows about what a “good girl” she’s been to eat so much of the tepid, pureed gruel that passes for a meal these days.

She will ask you, though, about your babies, and even about Ms. Stinky-son, her great grandson’s not-so-favorite kindergarten teacher. Did “that woman” ever give him back his truck? she’ll ask, recalling an incident long forgotten by the parties involved, a glint in her voice as she stands ready to defend the shaggy haired five year-old with the tear stained face of a decade or more ago, standing in living color before her mind’s eye, in its own twisted version of the here and now.

She can’t remember why she doesn’t see you everyday, or, perhaps more aptly put, that she doesn’t. Where has everybody gone? Why is she in this awful god forsaken place? She hates it here, she says, without saying a word, but still, you can read the indictment on her face. She wants to go home. Can’t you take her there? Sit on the big flagstone back porch and gaze across the river, have a glass of tea and talk about remember when? The pleading that goes unsaid is enough to break a soul in two, jagged edges still piercing and pinching long after the visit is over.

She won’t remember that you’ve been here, almost as quickly as you go. Tomorrow, today will be just yesterday, those short term memories the first attacked by the cruel, unforgiving scourge that wipes the surface of her mind clean each night.

But you’ll remember.

“I have to go, Grandma. I’ll be back soon.”

Her face turns, seeking yours.

“I love you,” you say, nearly choking on the swirl of emotion you feel welling up from the depths of your suddenly fragile heart.

Her cloudy eyes find yours, and lock there in a long, present moment.

“I love you, sweetie,” she states with all the authority of the grandmother you’ve always known. “And don’t you ever forget it.”

Jennifer Waggener says, “I discovered the world of blogging in February of 2004 and have been addicted ever since. I’ve met the most amazing people through this little hobby of mine. The entire journey has proven more rewarding, more time consuming, more thought provoking, more immensely pleasurable than I ever dreamed it would.”

Fade to Black first appeared on Jennifer’s blog on June 27, 2006. 

Image creditCover art from Twelve Below Zeroby Anthony Bukoski. Painting by Gaylord Schanilec.