Fade to Black by Jennifer Waggener

She can’t remember the last time they met, though it was only three years ago this third of July, a hot, moonless summer night, when she’d spent the final moments holding his hand, alternately speaking to him in hushed tones and singing “Let Me Call You Sweetheart” ever so softly into his ear, her cheek meeting his where it lay on the stiff hospital pillow.

She can tell you how they met, in vivid technicolor detail; about the pouring rain that day some seventy years ago when her big brother brought him to the house, a drowned rat by all appearances. But even so, she couldn’t take her eyes off of his; they way they twinkled and danced! Just one look, and before she knew it she was following him down the yellow brick road of his dreams, into happily ever after.

She can’t remember the name of the nice lady who fed her lunch yesterday and breakfast this morning; the one who cajoles her into taking “just one more bite”; the one who brings the styrofoam cup of too sweet lemonade to her lips to wash it down; the one who is a mere child herself, but inevitably crows about what a “good girl” she’s been to eat so much of the tepid, pureed gruel that passes for a meal these days.

She will ask you, though, about your babies, and even about Ms. Stinky-son, her great grandson’s not-so-favorite kindergarten teacher. Did “that woman” ever give him back his truck? she’ll ask, recalling an incident long forgotten by the parties involved, a glint in her voice as she stands ready to defend the shaggy haired five year-old with the tear stained face of a decade or more ago, standing in living color before her mind’s eye, in its own twisted version of the here and now.

She can’t remember why she doesn’t see you everyday, or, perhaps more aptly put, that she doesn’t. Where has everybody gone? Why is she in this awful god forsaken place? She hates it here, she says, without saying a word, but still, you can read the indictment on her face. She wants to go home. Can’t you take her there? Sit on the big flagstone back porch and gaze across the river, have a glass of tea and talk about remember when? The pleading that goes unsaid is enough to break a soul in two, jagged edges still piercing and pinching long after the visit is over.

She won’t remember that you’ve been here, almost as quickly as you go. Tomorrow, today will be just yesterday, those short term memories the first attacked by the cruel, unforgiving scourge that wipes the surface of her mind clean each night.

But you’ll remember.

“I have to go, Grandma. I’ll be back soon.”

Her face turns, seeking yours.

“I love you,” you say, nearly choking on the swirl of emotion you feel welling up from the depths of your suddenly fragile heart.

Her cloudy eyes find yours, and lock there in a long, present moment.

“I love you, sweetie,” she states with all the authority of the grandmother you’ve always known. “And don’t you ever forget it.”

Jennifer Waggener says, “I discovered the world of blogging in February of 2004 and have been addicted ever since. I’ve met the most amazing people through this little hobby of mine. The entire journey has proven more rewarding, more time consuming, more thought provoking, more immensely pleasurable than I ever dreamed it would.”

Fade to Black first appeared on Jennifer’s blog on June 27, 2006. 

Image creditCover art from Twelve Below Zeroby Anthony Bukoski. Painting by Gaylord Schanilec.

Memory and Loss: A New Kind of Essay

At the end of September I celebrated the Alzheimer’s Day of Action by pledging to use memory loss, dementia, and Alzheimer’s Disease to guide the 2013 Essays on Childhood project. You can read some of the ideas I had on this post, “How Esse Diem Purples.”

Within an hour of posting my musings, I had three complete essays from writers for the project.

These essays are not drafts, or ideas for essays; they arrived in my in-box as fully formed works. Each them moved me to tears, and continue to do so on every subsequent reading. At first I was concerned that I can’t use them in the Essays on Childhood project because they break a defining rule of EOC: All essays must be written about experiences before age 18. The essays I received are written about adult experiences, but with an interesting twist. The writing illuminates the unique pain an adult feels when caring for an older relative whose mental capacity is ravaged by Alzheimer’s Disease or dementia. The unnatural degree to which the adult caregiver much switch roles with a parent or grandparent is striking. I feel as if I’ve seen something intimate and private that maybe I did not have the right to see.

And yet . . .

And yet, these writers ask us to see it. They need us to see it. Their words reflect that people they love are slowly slipping away. These are parents and grandparents to whom a debt of gratitude can never be repaid, but the desire to repay it increases exponentially as the writers witness their loved ones’ suffering. A grieving process begins before death, and one senses that even death cannot close the wounds from this kind of protracted loss.

These essays are challenging because they ask us to share something we may not want to share. In the end, I believe what they really do is give us an opportunity as members of the human family to open our hearts and minds to one another. We have a chance to better understand how families everywhere are facing a complicated situation with no easy answers.

This week, my posts will feature the follow writers:

Tuesday: Fade to Black by Jennifer Waggener

Wednesday: The Brain Anchor by Valley Haggard

Thursday: Committed to Memory by Katy Brown

I hope you will read and share these stories, and perhaps consider writing your own essay. I have created a special essay category called Essays on Memory and Loss, and ideally a collection of these kinds of stories will become valuable education and advocacy tools for organizations like the Alzheimer’s Association.

Thank you!

Image credit: The Epoch Times