(Crazy) Courage. No Matter What.

10387246_10205280447315913_563439826519525600_n

I have friends getting married this weekend. Theirs is a powerful love story, and I’ve been churning the question of what makes it so.

What makes a love story one you can’t forget?

It’s common to think that an element of tragedy is what makes a love story unforgettable. This is somewhat true. But the first word that came to my mind was, “Courage.”

Courage is what makes a love story unforgettable. Courage means your heart has a goal, and nothing else can matter more than that. It’s more like crazy courage.

Mark Twain said it best when he said courage is not the absence of fear. It is mastery over fear. It is feeling terrified and still knowing what your soul tells you is your destiny and not turning off that message.

No matter what.

No matter if the love you have for your soul mate threatens to demolish everything else you think you know.

No matter if you could lose a job, or friends, or the acceptance of family.

No matter if no one wants to help you.

No matter.

When two people join their lives, for better or worse, for this thing or that thing, it is courageous. This world can sling some terrible challenges at us.

And no one has to get married anymore. It is a choice, a choice to make a very public commitment to be the very best version of yourself you know how to be because the person you love deserves no less.

And you both feel that way, it’s not that you are more perfect than you were before you were married. Not at all. We may be less perfect the minute we say we are going to try this hard.

Except maybe not.

Except though we may not be perfect in that moment, we will have hundreds of thousands of opportunities to be something better than perfect.

We will have the chance to be courageous. Over and over again.

Courage is asking for forgiveness.

Courage is granting forgiveness.

Courage is going to work so you can come home. It’s having a child together. It’s being willing to fail. It’s growing old with someone. It’s setting off into the Great Unknown, also known as tomorrow, holding your love’s hand and not letting go. Ever.

Nancy and Jane, what you have been denied up until this year could arguably be termed a tragedy. But that is so not the end of the story. The best love stories don’t end. A new phase of your story is just beginning.

Thank you for letting me tag along.

I love you.

Welcome to Married Life. We’ve been waiting for you.

The Brain Anchor by Valley Haggard

It’s not until I’m on 95, driving out to visit my dad, that I realize what to do with the fur hat tied by ropes to a cinder block in the trunk of my car, a “brain anchor” used as a prop by a friend in a surrealism creative writing class. My father not only introduced me to the world of surrealism when I was a child, he currently inhabits one of his own.

I’d called him the day before to ask his permission to write about him because, I tell him, there’s nothing else right now I can imagine writing about. Still, I feel like a vulture scavenging for blood. “Oh, of course you can,” he says, surprising me as he always does with his generosity. “I would be honored.” And then he suggests I write an even longer article for a national magazine, because people love to read about other people’s dying parents.

“But, Dad!” I say horrified. “You’re not dying!”

“I’ve had another home invasion,” he tells me. “It’s time to stop driving. I’m deteriorating, Valley,” he says.

“What kind of home invasion?” I ask, but I already know. After suffering a series of micro strokes two years ago he began to undergo a string of MRI’s and psychiatric evaluations which have turned up the words inconclusive, abnormal and dementia. 

Valley Haggard

Perhaps I’m biased, but I prefer my dad’s definition of his shifting mental state to anything I’ve found online. His first extended hallucination he described as a “cosmic, horrific supernatural freak show of southern holiness.” A tall man with lobster claws for hands and his very short 300 pound wife, who, together looked like a period and an exclamation point, were the leaders of the pack. “They were hungry and fat and wanted peanut butter sandwiches,” he told me. “I thought I was going to be killed, maybe eaten.” Between trying to beat them away with pillows and making them peanut butter sandwiches, my father called my stepmother and begged her to call the sheriff. She’d assured him it wasn’t real and asked him to hang on until she got home. “I know they’re hallucinations,” he tells me. “But the real question is, are they still there when I’m gone?”

When I sob to a friend on the phone, the gravity of the situation finally hitting home, she says, “It’s like watching a redwood fall in the forest.” And she’s right. My dad has always been fit and tall and handsome but I think it’s the largesse of his imagination she’s referring to. Growing up, he always kept an open house, an open mind and a tendency to regard the lines between reality, dreams, poetry, fiction and fact more like suggestions than absolutes. As a child, he opened up for me the world of story. Now, at 63, his mind is writing a whole new chapter.

The characters that populate his imagination visit his waking life as well. Civil War soldiers ride up to him on horse back; furry white animals streak the yard; pterodactyls soar through the house. But it’s the confusion, the memory loss and the fat illiterate family of rednecks, the home invaders, with whom he’s had to make his peace. “I’m much more welcoming to them now,” he tells me. “Which makes them go away faster. The lesson here is that no evil can stand up to humor!”

When I pull into my dad’s driveway he’s bright eyed, holding a riotous fistful of purple irises from his garden. I drive him around to do the things he can no longer do by himself and when we’re done, because I don’t know what else, other than my time, I can give him, I pull the brain anchor out of my trunk. “It’s perfect!” he says and shows me a sculpture in the front yard made of bits of metal and discarded scraps of wood. “I call it stacking,” he says. And he explains to me his new art form, one that takes on different shapes and unexpected dimensions, becoming more bizarre and more beautiful each day.

The executive director of Richmond Young Writers, Valley Haggard teaches creative nonfiction classes for adults at the Black Swan Bookstore, Chop Suey Books and the Visual Arts Center of Richmond. You can read more of her wonderful writing on her blog, www.valleyhaggard.com. This essay first appeared on her blog on May 31, 2012.