Harrison Ford’s Witness is one of my all time favorite films. The Wiki entry includes these lines:
Witness was generally well received by critics and earned eight Academy Award nominations (including Weir’s first and Ford’s sole nomination to date).
Roger Ebert of the Chicago Sun-Times rated the film four out of four stars, calling it “first of all, an electrifying and poignant love story. Then it is a movie about the choices we make in life and the choices that other people make for us. Only then is it a thriller—one that Alfred Hitchcock would have been proud to make.” He concluded, “We have lately been getting so many pallid, bloodless little movies—mostly recycled teenage exploitation films made by ambitious young stylists without a thought in their heads—that Witness arrives like a fresh new day. It is a movie about adults, whose lives have dignity and whose choices matter to them. And it is also one hell of a thriller.”
I’ve never been able to shake some scenes, and the clip above is one particular sticky example. It replays in my mind often, and lately every day.
Some critics dismiss Witness as “just another cop movie.” Others praise it for being “devoid of easy moralizing.”
This Sunday morning I am asking myself, what does my country want to be? Is the 21st Century U.S.A. just another cop movie? Or will we be willing to go deeper?
Wishing you a day of peace and reflection.