Is any season lonelier than solstice?

From my writing friend, Loren Eaton:

Is any season lonelier than solstice?

The elements shove the sun over the horizon, force the flora into the earth, drive animals deep into their dens. And what of us? We contend with old paths turned treacherous by ice. Well-known tableaus have gone foreign, hills hoary with frost and trees stripped down to bare boughs. Spare a sigh over goldengrove unleaving, just one while rubbing aching knuckles and flexing numb toes, face ruddied to rawness by the cold. Then go home to shelter and faces known — if not always friendly.

We understand why.

The half-full bottle hidden beneath the sink. Bills shoved to one side of the desk. Those hard words muttered in still moments. Breathe in the tired smells of stale coffee, damp cigarettes, and aerosol air freshener. Then pause. The air holds a hint of wood smoke as fire flares up in the hearth. The house creaks, wind whipping around the eaves. Tinsel glitters in the dim light. The person sitting across from you smiles tentatively. Starts to speak. Hesitates. The silence, filled as it is with the ghosts of old arguments, is deep.

What will you say to break it?

Intrigued? Bop over to Loren’s blog, I Saw Lightning Fall, to find out how to be part of this annual 100-word story tradition:

http://isawlightningfall.blogspot.com/2014/12/shared-storytelling-advent-ghosts-2014.html

We have some fun each year. Personally, I go spooky but never gory. Reflecting on my previous offerings, I can see I use a lot of ambiguity to drive an unsettling mystery. Those are the tales I prefer. But the canvas is wide. I hope you will consider joining us this year!

Some of my previous 100 word stories for this event:

2011 The Escape

2012 For Later

2012 Unwanted

2013 Vacancy

2014 . . . Coming December 19!

“How Do You Write An Essay?”

Recently I’ve had several people approach me about my essay writing process. I enjoy thinking about the craft of writing, so it was simple for me to jot down a few bullet points to share by e-mail. Because I wanted to respond to the questions right away, I wrote the following thoughts quickly.

Later, when I looked at them again, these points seemed like ideas that might interest anyone who wants to write a creative nonfiction (CNF) essay.

CNF is different from novel writing or short story writing. There are overlapping craft elements in each of these genres of course, but I think the essay process can be a little bit less predictable and controlled. Or should be. The writer is, after all, trying to chip away at an experience in order to reveal its value beyond the obvious and beyond the individual. It can be a long process, but one I find most worthwhile.

I’d love to hear your thoughts on how you go about writing an essay, or what questions you may have about writing in general.

  • I tend to focus on something unforgettable. Something that lingers in my mind from my own experience.
  • I try not to worry about whether or not, on the front end, other people will care about the subject matter. If I can’t forget about it, I’ve learned there is something there — a nugget — that speaks to the human experience.

    The primary objectives are:

    1) Express the human experience.
    2) Include the reader in that experience.

  • This takes many drafts.
  • So first I just write it as it comes to my mind. Then I walk away. Then maybe I do draft 2, and ask for feedback.
  • At that point the things that are and are not getting through usually are revealed.
  • For me, the essay is a treasure hunt. It takes time, and a dedication to write, review, and rewrite. Also, I have a need just to separate from the work for a few weeks if not longer at various points in its development. I can’t see what’s too close to me.

Finally, and this was not in my e-mail text, it is essential not to fall in love with your own work. Often it is tempting to write about something we want to tell other people. We’ve decided that some experience means a certain something, and we are going to tell the reader what that something is and why he should care. This rarely results in a good essay. I like to accept the mystery that I may have no real understanding of what something means and trust that because I can’t forget it, there is something there to be revealed even to myself.

Let the reader in. Let the reader see enough to draw his or her own conclusion. Let the reader be complicit in your work.

Let it happen.

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